Mobile Recording Kit Hey Reader, It never fails. You step away from the booth for a long weekend or a vacation, and suddenly your inbox is hit with a "must-have" audition or a quick pickup request from your best client. In the past, being away from your studio meant saying "no" or frantically searching for a local pro studio. But today, technology allows us to be mobile without sacrificing the professional quality our clients expect, should you so choose to make yourself available in that...
12 days ago • 1 min read
The Final Line Hey Reader, Have you ever listened back to a take and felt like the energy just... evaporated at the end? It’s a common habit: we put all our focus into a strong hook and a solid body, but as we reach the final sentence, our brains subconsciously go, "Almost done!" The result is a last line that trails off, drops in volume, or sounds like we're just checking a box. However, the last line is often the most important part of the script—it’s where the brand name or the...
19 days ago • 1 min read
The Website Digital Store Front Hey Reader, Think of your voice-over website as your digital storefront. Just like a physical shop, if the windows are cluttered or the door is hard to find, people are going to keep walking. In the VO world, producers and casting directors are often in a rush. They don't have time to hunt for your demos or figure out how to contact you. If your site isn't making their job easier, you're losing work. Here is the pro tip: Keep your "storefront" clean and...
26 days ago • 1 min read
Tracking the Right Data Hey Reader, In the early stages of a VO career, it’s easy to get obsessed with one single metric: The Booking. While booking the job is the ultimate goal, it’s actually a "lagging indicator." If you only track your wins, you’re missing the data that tells you how to win more often. To grow your business, you need to look under the hood. Here is the pro tip: Start tracking these three "hidden" metrics to see where your business is actually growing (and where it’s...
about 1 month ago • 1 min read
Value First Cold Email Hey Reader, We’ve all been on the receiving end of a "cold" message that feels like a copy-pasted plea for attention. In the VO world, sending an email that says, "Hi, I'm a voice actor, please hire me," is a quick way to get your message archived—or worse, marked as spam. If you want to actually get a response from a creative director or a production house, you have to flip the script. You need to lead with value. Here is the pro tip: Don’t ask for work; offer a...
about 1 month ago • 1 min read
Active Listening in Live Sessions Hey Reader, When you’re in a directed session, it’s easy to get "tunnel vision." You’re so focused on your mic technique, your script marking, and your next breath that you can sometimes miss what the client is actually telling you. You may get a note from the client or producer and then proceed to give the exact same read again. Why? Because you were listening to the words, but not the intent. Here is the pro tip: Practice Active Listening to nail the...
about 2 months ago • 1 min read
Should you Follow Up? Hey Reader, In the voice-over world, there’s a big difference between being a "proactive professional" and being "the person who clogs the inbox." When it comes to following up, the most important rule is knowing where the audition came from. The "No-Go" Zone: Online Casting & Agencies If you submitted an audition through a P2P site (like Voice123 or Voices) or through your agent, do not follow up. These casting directors are often sorting through 200+ auditions. If they...
about 2 months ago • 1 min read
Listening Back Hey Reader, You’ve just finished a long editing session. You’ve de-clicked, normalized, EQ’d and done all of your other processing to your audio. But before you send it off to the client or prospect, make sure you are properly listening back to your file. Here is the pro tip: Before you hit "send" on that final file, perform a few different Listen Back Tests. I always recommend closing your eyes for this, as it helps you focus solely on the sound. You don't want to be watching...
2 months ago • 1 min read
The Second Take Hey Reader, We’ve all been there. You finish a solid first take, feel good about it, and then the audition request (or the client) asks for a "Take 2." You take a breath, pause for a moment, and... you basically give them the exact same read, just maybe 2% different. It feels safe, but it doesn't give the client the variety they actually need to make a choice. It also doesn't do much to demonstrate your versatility as a talent. If you want to ensure your second take is a true...
2 months ago • 1 min read