VO Pro Tip: Setting Input Levels


Input Levels

Hey Reader,

When you’re recording and processing your auditions or final files, you should aim for your absolute loudest peaks (usually a plosive or a sudden loud word) to land around -6 dBFS to -3 dBFS.

This crucial bit of space is your headroom. It ensures two things:

  1. Safety: You guarantee that you won't accidentally clip or distort your signal during an unexpectedly loud read.
  2. Flexibility: You give the client or the mixing engineer plenty of room to apply their own compression, EQ, and limiting without introducing distortion. It allows them to easily integrate your voice into their final mix—whether it’s for a whisper-quiet commercial or a loud movie trailer.

Finding Your Loudest Peak

So, how do you know where those loudest peaks are landing?

The easiest way is to use the metering tools built right into your Digital Audio Workstation (DAW), like Audacity, Adobe Audition, or Pro Tools.

  1. Use the Peak Meter: After recording, play your file from start to finish. The meters in your DAW are designed to show you in real-time where your levels are. Most software keeps a small "marker" on the meter showing the highest peak that the audio has hit. Pay attention to that number.
  2. Use a Loudness Analysis Tool: Even better, most DAWs have an "Analyze" or "Statistics" function (sometimes called "Loudness" or "Normalize"). Running this analysis on your finished recording will give you a concrete number for your Maximum Peak Level—that's the number you need to make sure is sitting in that comfortable -6 dBFS to -3 dBFS range.

Great audio starts at the source, and your input levels are a huge part of that. If you're newer to VO, take this into account when setting up your studio. And if you are more experienced, it might be a good reminder to just double check your set up and make sure you are hitting these marks!

-Michael

If you have a question or topic you'd like me to address in a future email like this - just reply to this email and let me know!

Check out all of the past VO Pro Tips here! VO PRO TIP ARCHIVE


Hope you find this useful! Feel free to reach out with any questions! And if you find these emails helpful - please share VoiceoverRoadmap.com among any VO groups your part of - Facebook, Reddit, etc... or just tell others about it!

Thanks so much!


Curious about my own personal VO Work?

www.MichaelLangsnerVO.com

Want to help support future content from VORM? Use our Amazon Affiliate link when shopping on Amazon by clicking the link below!

VORM Amazon Affiliate Link

The Voice-Over Roadmap

The Voice-Over Roadmap is an educational platform for Voice-Over Talent of all experience levels to start, grow, and sustain a profitable business as a professional VO Talent. It is the creation of Michael Langsner, Professional VO talent with over 12 years of experience voicing projects for brands like Adidas, Google, Dell, Levi's and many others.

Read more from The Voice-Over Roadmap

Auditioning Efficiently Hey Reader, Let's talk about the audition game. For many voice actors, especially those working on pay-to-play sites, the key to success isn't just winning a high percentage of auditions—it's auditioning for scale. Think of it like being a sales rep. You have a good product (your talent), but you know you need to make X number of calls to get one client on the hook. In voice-over, you need to submit a high volume of quality auditions to keep your booking ratio healthy....

File Naming Hey Reader, We talk a lot about performance and audio quality, but sometimes the simplest business tasks make the biggest difference. A consistent, professional file naming system is one of those tiny details that tells a casting director or client, "This person has their act together." You want your file name to be a clean, clear calling card. 1. The Audition Naming Rule The goal of an audition file name is purely identification. The client needs to know immediately who the file...

Pre-Read "Pause" Hey Reader, As voice actors, we are often asked to deliver reads that sound "natural," "conversational," or "spontaneous." The biggest obstacle to achieving this is the fact that we are reading. Our eyes move faster than our brains can process the meaning, which can sometimes lead to a smooth but ultimately robotic delivery. Something that may help you with this, is a subtle Pre-Read Pause. What Is the Pre-Read Pause? The Pre-Read Pause is a strategic moment of silence just...